Table Of Content
But if you can take your time and are producing assets in a more controlled environment, you would be hard-pressed to get better image quality, even at ten times the price. Trying to hold the camera out in front of you, mirrorless SLR style, for extended periods of time might do wonders for your bicep definition, but not much for the stability of your footage. This is also important because again there is no in-body image stabilization in the camera. If you opt for the EF mount as opposed to the PL mount of the base model, you can fit it with Canon EF lenses that have in-lens stabilization. But otherwise, you are going to want to factor in how you plan to keep yourself stable when shooting. For best results, you should shoot at base ISO of 800 or under and expose to the right to allow lots of light in.
Full Resolution at Higher Frame Rates
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy. The URSA Cine 12K features a 12K image sensor that builds on the technology used in the URSA Mini Pro 12K.
New Blackmagic Media Player 10G
The unit I shot with was powered via the Blackmagic Design V-Mount Battery Plate. The plate is an add-on accessory, but a must-have if you are considering purchasing the camera. The camera definitely knows how to consume power, requiring a lot to maintain 12K and 8K processing. I have three 90 watt hour V mounts batteries and only went through two during the course of a shoot day. The camera also has the ability to be plugged directly into the wall via the power adapter.
Blackmagic URSA Cine 17K with 65mm Sensor Explained - CineD
Blackmagic URSA Cine 17K with 65mm Sensor Explained.
Posted: Sun, 14 Apr 2024 10:52:49 GMT [source]
Full Frame Capture at Higher Frame Rates
If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert. Interchangeable PL mount that lets you use high quality professional cinema lenses with your camera. Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.
Everything you really need is right there on the touchscreen in an easy-to-understand format. Switching between resolutions and compressions, popping on false color, or a preview LUT, it’s all right there in the menu system without you having to waste a lot of time looking for it. You do this via the touchscreen which is responsive and easy to understand. The menu system is easy to use with obvious tabs along the screen to let you select a group of settings.
A First-Hand Look at the New Blackmagic URSA Cine 12K at NAB 2024 - No Film School
A First-Hand Look at the New Blackmagic URSA Cine 12K at NAB 2024.
Posted: Fri, 19 Apr 2024 18:57:22 GMT [source]
You get a high quality 1920 x 1080 color OLED display with 4 element glass diopter for incredible accuracy with a wide focus adjustment, assignable function buttons and more. URSA Cine EVF is easy to set up with a single USB-C cable connection for video, power and camera control and can be position in multiple different ways. It also includes an extension arm to position it on a dolly or geared head.
Blackmagic 82mm Lens Cap
They are labeled 1, 2, 3 and 4 but actually select clear, two stops, four stops and six stops of ND. It would make more sense to label the dials Clear, 2, 4 and 6. Is it possible to start a movement to pressure all camera manufacturers to just make built-in NDs standard practice on all cameras going forward? While I have both a matte box and my fair share of both glass and screw in NDs, absolutely nothing beats the efficiency of being able to just dial in the NDs right from the camera body. For a video shooter, if you are going to shoot day exteriors at all, ND’s are a necessary part of your kit.
Data Rate Calculator
The URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX.
If you plan on shooting more run-and-gun style and need to put the camera on your shoulder, make sure to look at the shoulder kit they offer for 395 dollars. Its likely you will order the camera with the lens mount you need, but if you need to change it, there are three options. Pick from the PL mount for 245 dollars, the F mount for 375 dollars and lastly, if you need a Mini B4 mount, it will set you back 385 dollars. The URSA Mini Pro 4.6K ships with the EF mount, but if you need a replacement, an EF mount can be purchased for 175 dollars.
Automatic recording of camera settings and slate data such as project, scene number, take and special notes. URSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries!
The shoulder mount also includes a quick release attachment, so you can lock it into a tripod mount and remove it at any time. This means you can move the camera to your shoulder, then back to a tripod and then back to handheld instantly. Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount.
Want clean output to the rear 12-G SDI but need guides or something else in the front SDI port? It’s no problem, easy to do and not hard to find on the menu. Of course, the camera offers focus peaking, zebras, audio meters and histogram. On top of that, it also has false color, a safe area grid or just a grid for composition. The camera has all of the controls you want right at your fingertips. This is no different than the URSA Mini Pro G2 that came before it.
The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol. URSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! URSA Mini Pro includes a full version of DaVinci Resolve Studio.
No comments:
Post a Comment